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Wendell Phillips, the American abolitionist of the mid-1800, once said, "Every man meets his Waterloo at last." However, Henry Wadsworth Longfellow, the American poet of the same time period, wrote in Builders, "All are architects of Fate, working in these walls of Time; some with massive deeds and great, some with ornaments of rhyme." Deliberately shown by the contrast of these two men, destiny has been a greatly controversial topic among people. In the novel, East of Eden, Steinbeck displays many unique patterns, which indistinctly but profoundly illustrate his disbelief in destined lives. Steinbeck uses names that begin with C and A to illustrate that the destinies we seem inevitably born into are not unchangeable. Humans have the choice to overcome their nature and influence their future.
Throughout his novel, Steinbeck conspicuously names positively fitted characters with the letter "A" and negatively fitted characters with the letter "C". Before going into further detail, it is necessary to acknowledge the importance of the title, "East of Eden". With the word "Eden", Steinbeck foreshadows the reader that this book is chiefly rooted from the bible. Therefore, the relevance of the biblical characters, Cain and Abel, to the novel does not cause any surprises. Charles and Caleb Trask are nearly identical to the essence of Cain, dark and rancorous. On the other hand, Adam and Aron Trask are as affable as Abel. Steinbeck creates a conventional pattern in the characters' names the ones with A names are good-natured and the ones with C names are evil-minded. In the book, Aron is displayed as a "boy [one likes] before he speaks and [likes] more afterwards" (4). Caleb is a boy whose "growing restlessness [drives] him out at night. He [grows] tall and rangy, and always there [is] the darkness about him" (44). Similar to Caleb, Charles is shown negatively as "the sleek lazy danger of a black leopard" (1). By observing the evident relationship between the characters and their names, it is certain that John Steinbeck creates the pattern of A names being positive and the C names being negative. However, this pattern is discredited as the novel further continues into the conclusion.
Contrary to the unique pattern set at the beginning of the novel, Steinbeck unexpectedly concludes the lives of certain characters. The outcomes of the characters are absurd because they controvert the archetypal pattern of the names. In Aron's case, despite his A name, he fails to cope with the stabbing truth about his mother and decides to join the army. The unwise decision takes him to a war, then to his death. However, Caleb, despite his malevolent spirit of the C name, ends his life on a positive note. In fact, he strives to gain a great virtue, love. He once prays in his bed, "Dear Lord, let me be like Aron. Don't make me mean. I don't want to be. If you will let everybody like me, why, I'll give you anything in the world, and if I haven't got it, why, I'll go for to get it. I didn't want to be mean" (7). Steinbeck concludes the originally delightful Aron with a tragic death and the originally glum Cal with a positive struggle. Through these unexpected conclusions, a reader can learn that the novel embraces a specific message that Steinbeck has hidden.
By creating the inconsistencies between the character's qualities and the outcomes of their lives, Steinbeck illustrates the value of "Timshel". According to Lee's discovery, Timshel means neither 'Thou shalt' nor 'Thou must' but it means 'Thou mayest'. This significance gives Cain the freedom of choosing to do whatever he wants. Lee says, " 'Thou mayest' makes a man great, gives [Cain] stature with the gods, for in his weakness and his filth and his murder of his brother, [Cain] has still the great choice" (0). In the bible, Cain persists in making the best out of his sinful past, living in the land of Nod, building a family and "a city, and [naming] it after his son Enoch" (Genesis 417 NIV). Through his persistence, Cain is able to reach a redeemable, positive life. In East of Eden, Steinbeck incorporates this ability to make own decisions in all A and C characters. Therefore, it is realistic to accept Aron's tragic death and Cal's improvement in life. By defying the pattern, the characters' unpredictable outcomes show that the character's lives do not depend on their initial characteristics, but on the decisions they make throughout their lives.
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