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Creating Together
In our daily lives, on our traveling path, we are always confronting obstacles and decisions that would affect the direction in which we are going. However, the ultimate end of a journey doesn't only depend on us, it is also influenced by people we encounter. Two novels, The Great Gatsby, by F. Scott Fitzgerald, and Animal Dreams, by Barbara Kingsolver, had successfully drawn the main character's journey of life. Gatsby and Codi's lifestyles are totally different throughout both novels, but their journeys are similar in a way that they both affected by other characters they encounter on the way.
Gatsby became very wealthy, but he began life as just an ordinary, lower-class, citizen. Even before Gatsby is introduced, it is hinted that he is out of the ordinary. The first evidence of this is when Nick says, "Gatsby turned out all right at the end" (GG 6). Nothing was known about Gatsby at the time and Nick is already saying Gatsby was okay. There's an air of mystery surrounding Gatsby. Everyone knows of him but no one knows who he really is or where he comes from.
When Gatsby was still James Gatz, be had a dream of leaving his life on the farm behind and becoming a part of the upper-class. Even Gatsby's father knew when he said, "If he'd lived, he'd of been a great man" (GG 176). According to Berman "That phrase "great man" is important and will be widely intertextual from 106 to 1. Greatness is not simply personal; it has public shape and consciousness" (11~1).
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Gatsby's first real break in the outside world was when he met a wealthy yachtsman, Don Cody. Gatsby was seventeen at the time and had just left his life on the farm. "When Gatsby is seventeen years old, Don Cody comes sailing into his world"
(Lehan 4). It is Cody who showes Gatsby the ways of the world and develops Gatsby's appreciation for wealth. "[…] becomes Gatsby's image of the wealthy and successful man." (Bloom 8). "To young Gatz, resting on his oars and looking up at the railed deck, that yacht represented all the beauty and glamour in the world" (GG 106). Fitzgerald uses this quote to mark the point at which Gatsby encounters wealth and power for the first time, and also, he uses it to symbolize Gatsby's social standing and economic status. By comparing Gatsby's rowboat with Codi's luxurious yacht, Fitzgerald presents the idea that money and power translate into bigger and better things. The event is symbolic in that it illustrates Gatsby's perception that wealth is a necessity. By saying that he was "looking up" to "all the beauty and glamour in the world," Fitzgerald makes it evident that Gatsby idolized this lifestyle. Lehan concludes that "Once Gatsby begins to go about Don Cody's business in the realm that has replaced the frontier, he indeed goes in pursuit of meretricious beauty" (51).
After Gatsby was introduced to Daisy, she was the only thing that mattered to him. To Gatsby, Daisy's character is metaphor for his hope and dreams. However, she married Tom Buchanan, "[…] who is so wealthy that he could give her a $50,000 pearl necklace for a wedding present" (Lehan 106). The most significant difference between Tom and Gatsby was their economic and social standing in society. Tom was wealthy and powerful, and Gatsby was from a middle class Midwestern family with little money or prestige to their name. Gatsby dreams of one day reuniting with Daisy and recapturing the love he lost, and he accomplishes this by acquiring the wealth and social status, which he lacked five years before. Gatsby invites Tom and Daisy to one of his parties and to display his new position among society's elite, Gatsby says, "You must see the faces of many people you've heard about" (111). Gatsby also refers to Tom as "the polo player", implying that Tom is insignificant compared to the many "celebrities" present at the party (111). Daisy, however, is impressed by Gatsby's exorbitant amount of wealth, but "once Daisy comes to understand the source of Gatsby's money her interest in him is gone forever" says Lehan (57). Daisy was both the main cause of Gatsby's great wealth, and also the only cause of foolishness in his life.
If Don Cody is the first of Gatsby's new fathers then Meyer Wolfsheim is Gatsby's second father figure, according to Lehan (56). Gatsby's life between the war and when he's introduced in the book is quite vague. It is known that he at some point went into business with Meyer Wolfsheim who was very much involved in New York bootlegging and had possible connections with the Mafia. Wolfsheim claims to have made Gatsby the man that he was.
Mr. and Mrs. Wilson have almost nothing to do with Gatsby throughout the novel, but it is a coincidence that Gatsby had to end his life by this two characters. Towards the end, Gatsby wouldn't give up on Daisy. After the accident in which Daisy killed Mrs. Wilson, it was the end for her and Gatsby. And yet "He couldn't possibly leave Daisy until he knew what she was going to do. He was clutching at some last hope […]" (GG 155). Daisy couldn't possibly face the fact that she might go to jail and she knew Gatsby would take her blame. Because of Tom's lie and Gatsby's willingness to accept the blame for Daisy, Gatsby had face death by a stranger, Wilson.
Gatsby's journey ends in a lonely and meaningless way. His death is cathartic because his dream is never satisfied. He could have never fulfilled a prosperous life living for a past love. When Daisy leaves with Tom, and Gatsby loses her, it is the death of his dreams. Gatsby's death is symbolic of the death of the dreams. If Mrs. George would not have come along to end his life, Gatsby would have killed himself. Everything he worked for and everything he did, he did for Daisy. Without her, his life was meaningless; however, he could have been a great man who would have "[…] helped build up the country" (GG 176). Because most of the people Gatsby encountered were bad influences, this is the only way his life could had ended. Don Cody and Meyer Wolfsheim affected Gatsby's idea of making money through illegal activities, and Daisy made Gatsby live in the past, he could never achieve the American Dream. If he never had met them, he might have had a better life and a better end of his journey.
Like Gatsby, Codi comes from an ordinary family, and had a normal childhood, except she lost her mother at age three. When her mother Alice passed away she took part of Homero with her. What she left was a misfit of time and circumstance; an emotionally distraught and distant man who attempted to resemble a father but veered more towards the tin man. Homero existed beyond his wife as only a page out of an instruction manual, the one with the caution statement. Homero's delicate heart decided that the only way to endure Alice's death was to flush any memory of her out of his fortified technical realm which throughout the novel becomes increasingly skewed. Kingsolver pushes home this idea by omitting Alice from any of Homero's frequent flashbacks which are usually mishaps from the past involving his daughters. These incidents are his only recollection of his daughters' estranged childhood in which he strained to create strong women out of confused, motherless children. Homer's fear of becoming attached to anything which reminded him of Alice resulted in an unorthodox childhood for Hallie and Codi. Homero was more of a baby sitter than a real father. Retaining only his technical aptitude after Alice died all he could do was providing his kids with orthopedic shoes and the correct medicine. When not fixing Codi or Hallie's present or future ailments, Homero took photographs of natural objects and slyly transformed them into man-made devices by doing what he seemed to be best at, distorting images.
Codi, similar to her father mentally, blocked out her past. Her childhood remained within her as only a series of stained and misplaced memories. Codi attempted to follow in her father's footprints, fixing every one of life's problems with an internal wrench. Homero is a metaphor for Codi's loss of memory and her attempt to find her past. By approaching life from behind this falsified image, Codi managed to distance herself from everything and everyone who could have hurt her. One aspect of life from which Codi was bred to be distanced is the past. As Codi grew older, she began wondering about her family's past. Homero basically told her they had no past. So with no past and no identity, Codi lived, searching for security and stability through a mother figure. Everywhere Codi went she managed to find a mother figure. Whether it be a man or a woman friend or even Hallie, Codi hid herself in other people's security. This search for stability is catalyzed by the lack of a mother in Codi's childhood. The lack of maternal instinct in Codi left her with no sense of direction, therefore; she searched aimlessly for years, for herself.
Codi is unable to become self-aware, because her dependency on her sister was so strong. A direct result of Codi's insecurities is the development of Hallie as a primary source of security. She is Codi's safe haven where she can escape when her problems become overwhelming or perplexing. Hallie is defined as her stability in this way. Hallie offers a blanket of protection from Codi's personal insecurities. Codi's dependence on Hallie as a haven from her feelings is evident in Codi's reaction to her old, high school friend Emelina. Emelina recalled Codi's childhood protests of killing chickens, but Codi said, "No, that was Hallie. She's the one that had such a soft heart. We've always been real different that way" (AD ). Codi's recollection of Hallie as the one who protested the death of the animals when in fact it was Codi, shows that Codi has no realization of her own cares and sensitivities because she projects them upon Hallie. Codi's inability to distinguish her individual feelings from Hallie's is because she continually projects them onto Hallie so she doesn't have to deal with them.
Hallie is a metaphor for a sense of direction and purpose. Hallie has knowledge of direction that seems to escape Codi. Hallie knows what she wants to do and what is necessary to attain it. Codi, however, drifts through life with no specific purpose. She maintains her existence anywhere that doesn't require any effort or emotional discomfort to her. Codi interprets Hallie's move to Nicaragua as an example of Hallie's keen sense of direction and her own lack of one. Codi doesn't see any future direction for herself. "[…] I had no mission beyond personal survival; it was nothing like Hallie's going to Nicaragua" (AD 107). Codi's lack of direction also stems from her dominant feelings of being an outsider. Codi has never felt accepted by any environment and she is constantly amazed by Hallie's instant ability to become comfortable. For example, she tells these feelings to Hallie in a letter expressing her admiration of Hallie at being able to be compatible with the environment surrounding her. "All I want is to be like you, to be brave, to walk into a country of chickens and land mines and call it home, and have it be home" (AD 00). However, she doesn't realize that it isn't her uneasiness with her environment but with herself that makes it difficult to be comfortable in any environment.
Codi's life since her fall from Grace is a long list of failures. But when she came back to her hometown, she finds herself busier that she expected. She meets Loyd Peregrina and they fall into an affair that threatens to turn serious. "Loyd is a fertile character, who has a profound understanding of how to carefully cultivate the fertile land" (Sparknotes). He drives her about neighboring reservations and takes her to some ancient Pueblo villages. She begins to see a difference between inhabiting the land and trying to conquer it. "To people who think of themselves as God's houseguest, American enterprise must seem arrogant beyond belief. Or stupid. A nation of amnesiacs, proceeding as if there were no other day but today" (AD 40).
Because Codi's education is a great help to their cause, Codi joins the Stitch and Bitch Club, and with Codi's help they set out to save the town from the mining company. As she becomes a part of the community effort to save the town, Codi begins to learn more about her own family's past, and gradually comes to understand that those women, twenty years before, were "[…] fifty mothers who'd been standing at the edges of my childhood, ready to make whatever contribution was needed at the time" (AD 8).
Hallie's departure in combination with Doc Homero's bout with Alzheimer's disease allows Codi an opportunity to confront her past and insecurities. After Hallie's death, Codi is able to retain Hallie's message of finding a direction and what purpose that direction should have. Hallie explains to Codi that "[…] the very least you can do in your life is to figure out what you hope for. And the most you can do is live inside that hope. Not admire it from a distance but live right in it, under its roof" (AD ). This message allows Codi to find her direction and live it. She does this by coming to the realization that her lack of direction is from her innate feeling of not being accepted. The main criterion for acceptance in Grace according to Codi was to have been born with blue eyes. The legend of the town is that if you were born with blue eyes you were a descendent of the Gracela Sisters, after whom the town is named. Codi discovers childhood pictures which show that she was born with blue eyes. After discovering that she is part of the town's blue-eyed tradition, she feels a symbolic acceptance. She can then further pursue her personal direction by adhering to Hallie's advice. This direction is realized by the desire to remain in Grace. She stays in Grace to help the Stitch and Bitch Club protest against the environmental catastrophe they face. She is also able to accept the responsibility of her own stable career as a biology teacher and raise a family herself with respect from the people around her.
Codi expands her concept of family. She is able to feel an emotional attachment to the people of Grace and in particular to her boyfriend, Loyd Peregrina, an Apache who fathered Codi's miscarried baby. Codi began to discover an awareness of relationships and acceptance that made her secure within herself. She is now capable of identifying the immense love around her that includes Loyd, Emelina, her family, her students, and her fifty mothers from the Stitch and Bitch Club. Codi realizes the amount of support she has as a result of Hallie's funeral. All of the people who love Codi are present to share her grief. This enables her to feel an assurance of support. This sentiment is captured in the phrase, "[…] Whenever I thought I might fall or just cease to exist, the pressure of their shoulders held me there" (AD 7). Hallie's death allows Codi to redefine her ideological needs for a family. Codi is then able to settle down and conceive a child with Loyd.
Alice's early death causes the lack of a mother in Codi's childhood, and Homero's inability to make peace with the past confront Codi to fit in somewhere and to find a meaning for her life. Also, as long as Hallie is alive she is a safe haven for Codi to escape to when the truth of her personality becomes too apparent. But on the other hand, Alice, Homero, and Hallie are the great influences on Codi to find her identity and meaning of life. Especially Hallie might have taught Codi how to deal with insecurities and find a reason to live. Rudman says that "Siblings who grow up together learn each other's characteristics […]" (11). Even though she had many failures in her past, Codi truly grows up because of the people around her. Smiley states that "[…] her journey is a gesture, made to relieve her general sense of uselessness." Codi is able to find a direction in her life and she begins to establish a foundation for her future. She is able to secure a family, friends, a career, and an established place within Grace. According to Ryan, it is typical of Kingsolver's styles is that everyone in her books turns out to be good. (81)
We believe that our future is formed by us, and it is true that we create our own dream. However, as it has been shown in The Great Gatsby, and Animal Dreams, our life doesn't only depend on our decisions, it is also influenced by the people we encounter. The ultimate end of our journey could be as bad as Gatsby's, if we surround ourselves with bad influences. We could also find our meaning of life as Codi did, if we meet good people. Through these two novels, I realized that I can affect people around just me as I am influenced by people I encounter. Please note that this sample paper on Creating Together is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Creating Together, we are here to assist you. Your cheap custom research papers on Creating Together will be written from scratch, so you do not have to worry about its originality.
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